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<channel>
	<title>Maria Kassab</title>
	<link>https://mariakassab.com</link>
	<description>Maria Kassab</description>
	<pubDate>Fri, 30 Oct 2026 10:34:15 +0000</pubDate>
	<generator>https://mariakassab.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Front page</title>
				
		<link>https://mariakassab.com/Front-page-1</link>

		<pubDate>Sun, 25 Jul 2021 18:34:19 +0000</pubDate>

		<dc:creator>Maria Kassab</dc:creator>

		<guid isPermaLink="true">https://mariakassab.com/Front-page-1</guid>

		<description>
	 Maria Kassab
Interdisziplinäre Künstlerin
Interdisciplinary Visual Artist
Member of BBK Leipzig
Currently deconstructing the archives. I’m sorting through the studio drawers 
and uploading new artworks to the grid. In the meantime, the rest of the site 
is completely open; feel free to click 
around 
and explore the existing projects.


	
	











&#38;nbsp;All images are copyrighted © by Maria Kassab. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
</description>
		
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		<title>Nav</title>
				
		<link>https://mariakassab.com/Nav</link>

		<pubDate>Wed, 27 Jul 2022 11:57:23 +0000</pubDate>

		<dc:creator>Maria Kassab</dc:creator>

		<guid isPermaLink="true">https://mariakassab.com/Nav</guid>

		<description> Selected WorksBack to Home

About
Exhibitions
Publication
Le Naufrage
Statues of Emergency
Index of StrangersThe Negative of Me
Of Places &#38;amp; Cannons

Of Dreams &#38;amp; Terror
Die Menschen...
Frames of Absence &#38;amp; Presence
Camouflage
Forbidden Encounters
It Never Leaves You
Ecologies of Ruin
On Parallel Worlds

Judith
Video Works
News &#38;amp; Updates
Email
Instagram
©2026&#38;nbsp; </description>
		
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		<title>Mobile nav</title>
				
		<link>https://mariakassab.com/Mobile-nav</link>

		<pubDate>Wed, 27 Jul 2022 11:57:23 +0000</pubDate>

		<dc:creator>Maria Kassab</dc:creator>

		<guid isPermaLink="true">https://mariakassab.com/Mobile-nav</guid>

		<description>Selected Works
Back to Home

About
Exhibitions

Publication

Le Naufrage
Statues of Emergency
Index of StrangersThe Negative of Me
Of Places &#38;amp; Cannons
Of Dreams &#38;amp; Terror
Die Menschen...


Frames of Absence &#38;amp; Presence
Camouflage
Forbidden Encounters
It Never Leaves You
Ecologies of Ruin
On Parallel Worlds

Judith
Video Works
News &#38;amp; Updates
Email
Instagram
©2026</description>
		
	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://mariakassab.com/About</link>

		<pubDate>Wed, 27 Jul 2022 11:57:24 +0000</pubDate>

		<dc:creator>Maria Kassab</dc:creator>

		<guid isPermaLink="true">https://mariakassab.com/About</guid>

		<description>Maria Kassab is a Lebanese-Canadian interdisciplinary visual artist whose practice lives at the intersection of memory, world landscape politics, and displacement. Rooted in Lebanon's complex socio-political realities and the wider region, Kassab explores how individual and collective trauma leaves an indelible mark on human consciousness. 

Her distinct visual methodology relies on a meticulous combination of analog and digital collage, photographic layering, and digital image manipulation, alongside the physical fracturing and reassembly of objects to examine the profound tension between attachment and alienation. By borrowing from family archives or deconstructing historical symbols, she deliberately breaks apart notions of stability and domesticity to mirror systemic collapse, borders, and migration. Her work does not merely document the aftermath of conflict; it pieces together the fragments of unfulfilled dreams, confronting the psychological spaces where absence and presence blur.

Kassab holds a BA in Graphic Design &#38;amp; Fine Arts from the Lebanese American University (LAU) in Beirut (2003) and an MA in Photography and Arts from the BTK University of Art and Design in Berlin (2022). Her work has been showcased internationally in both solo and group exhibitions across Europe and the Middle East, including a prominent co-production with the Pompidou Centre at the Fondation Boghossian in Brussels. She currently lives and works between Leipzig and Beirut.
* Art Residency at Villa Empain Boghossian Foundation Brussels, 2019.* Winner of The Audience Choice Award, 33rd Salon d'Automne, Sursock Museum, 2019.* First Prize photography winner of the Boghossian Foundation 2017.




All images are copyrighted © by Maria Kassab. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.</description>
		
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	<item>
		<title>Exhibitions</title>
				
		<link>https://mariakassab.com/Exhibitions-1</link>

		<pubDate>Wed, 27 Jul 2022 11:57:24 +0000</pubDate>

		<dc:creator>Maria Kassab</dc:creator>

		<guid isPermaLink="true">https://mariakassab.com/Exhibitions-1</guid>

		<description>


	Exhibitions



Works have been exhibited in Beirut, Paris, Washington DC, Palermo, Berlin, Brussels, Copenhagen, Bratislava, Malta.


Kommende Einzelausstellung im Jahr 2027 in Berlin.
Upcoming solo exhibition in 2027, Berlin.

"DIE MENSCHEN SIND IM GANZEN LEBEN BLIND.“&#38;nbsp; 
(Goethe, Faust II, Mitternacht)
Curated by Dr. Almut Hüfler, Katja Pudor, &#38;amp; Andreas Schmid.
17/10/25 -21/11/25
Frontviews @HAUNT-Berlin

PENDING DREAMS
21/06/2025 - 30/06/2025
48stundennk – das Kunstfestival des Jahres
Exhibition at Open Studio Sladjan Nedeljkovic, Berlin.

SMALL BONES OF COURAGE
7/3/2025 - 27/4/2025
Exhibition at Spazju Kreattiv, Malta.

ANONYME ZEICHNER*INNEN &#38;amp; LINES FICTION
16.11. 2024 – 12.01.2025
Eröffnung: 15. November 2024
Kunstraum Kreuzberg Bethanien, Berlin.

IT NEVER LEAVES YOU
31/05 - 23/07/2024
Solo exhibition at Galerie Kuchling, Berlin. 

ON FLOWERS
22/03 - 21/04/2024
Exhibition curated by Dr. Almut Hüfler
At Shaufenster, Berlin. 

FLU
4/11/2023 - 29/01/2024
Exhibition commissioned by WAWA 
Apartment Project, Kulturverein e.V., Berlin.

TRACES OF UTOPIA
11/04/2023
Exhibition at AUB Byblos Bank Art Gallery, Ada Dodge Hall, AUB campus, for the opening of our exhibition Traces of Utopia. An exhibition curated by students and faculty participating in a long-term collaboration between AUB Art Galleries/FAAH and the Leipzig Academy of Fine Arts (HGB). The exchange, which is titled “Beyond Orientalism(s),” is funded by the German Academic Exchange Service (DAAD). 

FORBIDDEN ENCOUNTERS
17/02 - 02/04/2023
Solo exhibition at "that's what x said" Gallery, Brussels.

HOME DIARIES
31/01 - 02/04/2023
Exhibition at KunstimRaum Galerie, Berlin.

BERLIN ART WEEK
01/09/2022
At Mahalla Berlin.

A PAINTING A DAY 
04/02 - 25/03/2022
Solo exhibition at Kuchling Galerie, Berlin.

HOW WILL IT END? 
02/12 - 06/02/2021
Exhibition designed in co-production with the Pompidou Centre offers an unprecedented dialogue between its exceptional collections and pieces by Lebanese artists of all generations. 
Fondation Boghossian, Brussels. 

OFF FESTIVAL BRATISLAVA
05/11 - 19/11/2021
MA Photography Exhibition
Bratislava

THE BURDENSOME RICHNESS 
09/04 - 26/09/2021
Exhibition series: Independent Female &#38;amp; queer artists in Berlin in the 1980s and today. Commissioned work.
Galerie Auslage, Berlin.

THE LIMITED ART FAIR
01/04/2021
Villa Empain, Boghossian Foundation Brussels.

OUT OF LEBANON 
21/8 - 19/9/2020 
Curated by Claus Rohland 
Tom Christoffersen Galleri, Copenhagen. 

LEBANON THEN &#38;amp; NOW - Photography from 2006 to 2020 
01/07 - 30/09/2020
Exhibition at the MEI Art Gallery, Washington, DC. 

3rd BIENNALE OF WORLD ARAB CONTEMPORARY PHOTOGRAPHY 
01/09 - 31/12/2019
Exhibition at l'Institut Du Monde Arabe, Paris.

OMRAN’19
21/08 - 11/09/2019
Exhibition organized by the Collective for Architecture Lebanon. At Beit Beirut Museum.

33rd SALON D'AUTOMNE 
01/11/2018
Exhibition at the Sursock Museum, Beirut.
(Winner of the Audience Choice Award).

ABSENCE, PRESENCE
01/08/2018
Exhibition at Art On 56th  Beirut.

LAISSE-MOI TE VOIR, LAISSE-MOI TE TOUCHER
Manifesta 12 at Sant’Elia Foundation, Palermo, Italy. 
2018

BEIRUT DESIGN WEEK 
Beit Beirut gallery
2018

BEIRUT ART FAIR
Artspace gallery.
2017

32nd SALON D'AUTOMNE 
Exhibition at Sursock Museum, Beirut.
2017

BETASAROF
Exhibition at the National Library, October, curated by Nadine Bekdache, proprietor of Galerie Janine Rubeiz, and Karim Bekdache.
2016

HOME
Kuchling Gallery, Berlin.
March 2014

Auction of Modern and Contemporary Art From the Middle East and beyond.
Exhibited and sold at the Beirut Exhibition Center, curated by Dr. Kathy Battista, Director of Contemporary Art, Sotheby’s Institute of Art. New York, October 2013.

Maria has given workshops (including at the Beirut Art Center).

Works have been published in local and international art magazines and books, Family Portrait OFF Bratislava 2021, Canvas Magazine 2021, ArtLand Copenhagen 2021, Rusted Radishes 2019, EYEMAZING SUSAN Annual Pictorial, published by EYEMAZING Editions Amsterdam, 2014.


 





All images are copyrighted © by Maria Kassab. The use of any image from this site is prohibited unless prior written permission from the artist is obtained. </description>
		
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	<item>
		<title>Publications</title>
				
		<link>https://mariakassab.com/Publications-2</link>

		<pubDate>Wed, 27 Jul 2022 11:57:25 +0000</pubDate>

		<dc:creator>Maria Kassab</dc:creator>

		<guid isPermaLink="true">https://mariakassab.com/Publications-2</guid>

		<description>Publications

Selected publications, features, and texts documenting my artistic practice across photography, image-making, and interdisciplinary work. The selection traces different stages, with a particular focus on memory, displacement, political and social landscapes, and the ways images can be fragmented, reworked, and recontextualized.

Discontent Magazine, 2022Cover artwork and feature in Discontent magazine, an independent social and political magazine that features reportage, essays, personal testimonies, photography, and art focused on the Middle East, particularly Palestine, Lebanon, and Egypt.
&#60;img width="2931" height="3905" width_o="2931" height_o="3905" data-src="https://freight.cargo.site/t/original/i/a0a7477d47119cda2e4de7a23cd1991d899efbe526542f1be696182af12a2eb4/discontent-2.jpg" data-mid="253091727" border="0"  src="https://freight.cargo.site/w/1000/i/a0a7477d47119cda2e4de7a23cd1991d899efbe526542f1be696182af12a2eb4/discontent-2.jpg" /&#62;&#60;img width="3020" height="3073" width_o="3020" height_o="3073" data-src="https://freight.cargo.site/t/original/i/a58cf15c16cb140ba601b995a9012d02024503a8e41a5ff8df678a6e172464de/discontent-1.jpg" data-mid="253091726" border="0"  src="https://freight.cargo.site/w/1000/i/a58cf15c16cb140ba601b995a9012d02024503a8e41a5ff8df678a6e172464de/discontent-1.jpg" /&#62;

&#60;img width="2975" height="3801" width_o="2975" height_o="3801" data-src="https://freight.cargo.site/t/original/i/069bf70d1f3b48150167759e83e10277fb34f379021e9d588a2cf16c73e19885/IMG_4611.jpeg" data-mid="253143021" border="0"  src="https://freight.cargo.site/w/1000/i/069bf70d1f3b48150167759e83e10277fb34f379021e9d588a2cf16c73e19885/IMG_4611.jpeg" /&#62;

The Influence Machine, 2019






















The project and book titled “The Influencing Machine” (often referenced in connection with the neue Gesellschaft für bildende Kunst (nGbK) in Berlin) is a multidisciplinary exhibition and accompanying publication exploring how bots, algorithms, and data-driven systems shape politics, labor, and human agency.



&#60;img width="1290" height="953" width_o="1290" height_o="953" data-src="https://freight.cargo.site/t/original/i/af825f5752fa7fab2fd64c6dd9daacc206a0b916fbdd7eb6265c84b9de06f9ff/8.jpg" data-mid="253039601" border="0"  src="https://freight.cargo.site/w/1000/i/af825f5752fa7fab2fd64c6dd9daacc206a0b916fbdd7eb6265c84b9de06f9ff/8.jpg" /&#62;&#60;img width="1290" height="954" width_o="1290" height_o="954" data-src="https://freight.cargo.site/t/original/i/4286a1b1082739bef459a4e38c197632f51655c07f0f9d53af9f6f8b9b8225e4/7.jpg" data-mid="253039602" border="0"  src="https://freight.cargo.site/w/1000/i/4286a1b1082739bef459a4e38c197632f51655c07f0f9d53af9f6f8b9b8225e4/7.jpg" /&#62;
OFF Bratislava, Contemporary Photography Festival, 2021&#38;nbsp;










OFF Bratislava is an acclaimed annual contemporary photography festival that serves as a vital platform for emerging artists, fresh talents, and groundbreaking new photography trends.
 The main festival poster and book publication featured a photograph from Jana Ritchie's graduation artwork, "Familie Ritchie". A secondary poster for the concurrent OFF Academy 2021 section featured photography by Maria Kassab.&#38;nbsp;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/0fddd9ff8d7a0cf5b2513e75da107122ddf00b0ccc96005b8776ab7d0d5d4ad3/IMG_8345.jpg" data-mid="253874005" border="0"  src="https://freight.cargo.site/w/1000/i/0fddd9ff8d7a0cf5b2513e75da107122ddf00b0ccc96005b8776ab7d0d5d4ad3/IMG_8345.jpg" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/11a1e0aeac2cb5c1141c45c20664d8c005d0700ec9680e56aa10e7919354ad49/IMG_8344.jpg" data-mid="253874004" border="0"  src="https://freight.cargo.site/w/1000/i/11a1e0aeac2cb5c1141c45c20664d8c005d0700ec9680e56aa10e7919354ad49/IMG_8344.jpg" /&#62;

Rusted Radishes Magazine 2018Rusted Radishes: Beirut Literary and Art Journal (RR) is a bilingual journal based in Beirut. Since 2012, RR has published previously unpublished works by emerging and established writers and artists in its annual themed issue and webzine to both nurture new talent and highlight contemporary literature and art from the Arab &#38;amp; SWANA region and diaspora. The journal is edited by writers and artists from Beirut and the diaspora as well as interns from the American University of Beirut.&#60;img width="1290" height="964" width_o="1290" height_o="964" data-src="https://freight.cargo.site/t/original/i/d6b4db7d9f6c9b5f2813c36abe7422bed0a82e46aa360d74206042ed8c1cfdeb/3.jpg" data-mid="253039595" border="0"  src="https://freight.cargo.site/w/1000/i/d6b4db7d9f6c9b5f2813c36abe7422bed0a82e46aa360d74206042ed8c1cfdeb/3.jpg" /&#62;&#60;img width="1290" height="1595" width_o="1290" height_o="1595" data-src="https://freight.cargo.site/t/original/i/f1a0fc8f501d731d81782bddf4410793e0083acbfa903245fe518b4d09d1a92a/4.jpg" data-mid="253039596" border="0"  src="https://freight.cargo.site/w/1000/i/f1a0fc8f501d731d81782bddf4410793e0083acbfa903245fe518b4d09d1a92a/4.jpg" /&#62;






Sicilia Queer 2018International New Visions Film Fest










“Lascia che ti guardi, lascia che ti tocchi” (Let me look at you, let me touch you), revisiting a space where the visual arts met radical queer expression to map out hidden landscapes of identity.&#60;img width="1290" height="812" width_o="1290" height_o="812" data-src="https://freight.cargo.site/t/original/i/4b0c21c9b01aab0217e4312f1fd412a3ebedb5f601ed1a8971fbf466d66e8035/5-copy.jpg" data-mid="253048022" border="0"  src="https://freight.cargo.site/w/1000/i/4b0c21c9b01aab0217e4312f1fd412a3ebedb5f601ed1a8971fbf466d66e8035/5-copy.jpg" /&#62;&#60;img width="1059" height="1059" width_o="1059" height_o="1059" data-src="https://freight.cargo.site/t/original/i/a000c8b78aa6b207251eb982cfb8371504ec6de72e3f41553e7d8b53030e91f5/1.jpg" data-mid="253091554" border="0"  src="https://freight.cargo.site/w/1000/i/a000c8b78aa6b207251eb982cfb8371504ec6de72e3f41553e7d8b53030e91f5/1.jpg" /&#62;&#60;img width="1059" height="1059" width_o="1059" height_o="1059" data-src="https://freight.cargo.site/t/original/i/42fba8ae1fab740425f602339f79f86ef1c0e21f195a94ad4f95605b69636406/3.jpg" data-mid="253091555" border="0"  src="https://freight.cargo.site/w/1000/i/42fba8ae1fab740425f602339f79f86ef1c0e21f195a94ad4f95605b69636406/3.jpg" /&#62;










 




Eyemazing Suzan, 2014Eyemazing: The New Collectible Art Photography (published by Thames &#38;amp; Hudson). Masterfully curated by Eyemazing Susan (Susan A. Zadeh), the groundbreaking volume showcases the work of 131 international photographers, uniting world-renowned masters like Sally Mann, Roger Ballen, Bettina Rheims, and Michael Ackerman alongside emerging talents whom Zadeh discovered and championed.



&#60;img width="970" height="1322" width_o="970" height_o="1322" data-src="https://freight.cargo.site/t/original/i/1b273dae4d8a4d4b9e2ea2cdad2de62ed291c728151d2c751810165916786c0b/Screenshot-2026-10-08-at-14.23.53.png" data-mid="253039612" border="0"  src="https://freight.cargo.site/w/970/i/1b273dae4d8a4d4b9e2ea2cdad2de62ed291c728151d2c751810165916786c0b/Screenshot-2026-10-08-at-14.23.53.png" /&#62;

&#60;img width="974" height="1332" width_o="974" height_o="1332" data-src="https://freight.cargo.site/t/original/i/479fcf98279e3bb9da62b300528d6986b47d48947cdcaa5232cb735cc844a001/Screenshot-2026-10-08-at-14.24.29.png" data-mid="253039623" border="0"  src="https://freight.cargo.site/w/974/i/479fcf98279e3bb9da62b300528d6986b47d48947cdcaa5232cb735cc844a001/Screenshot-2026-10-08-at-14.24.29.png" /&#62;
&#60;img width="1057" height="1406" width_o="1057" height_o="1406" data-src="https://freight.cargo.site/t/original/i/e91fd74e3c5eb41738ba75669256a0bcfcba91909d316beacedaa53746750845/13.jpg" data-mid="253048051" border="0"  src="https://freight.cargo.site/w/1000/i/e91fd74e3c5eb41738ba75669256a0bcfcba91909d316beacedaa53746750845/13.jpg" /&#62;

The Carton, 2012











Cover design and inside feature for “The Carton” magazine, an independent, award-winning periodical launched in Beirut, Lebanon, in 2012 that explores food culture and society across the Eastern Mediterranean.

&#60;img width="1118" height="1496" width_o="1118" height_o="1496" data-src="https://freight.cargo.site/t/original/i/1955955d00fc06f2b711a6b0bb9d2117189a12e13f1848e77a3e9c6afed96113/Screenshot-2026-10-08-at-14.23.08.png" data-mid="253039610" border="0"  src="https://freight.cargo.site/w/1000/i/1955955d00fc06f2b711a6b0bb9d2117189a12e13f1848e77a3e9c6afed96113/Screenshot-2026-10-08-at-14.23.08.png" /&#62;&#60;img width="851" height="554" width_o="851" height_o="554" data-src="https://freight.cargo.site/t/original/i/8277f15baf79f2e7733af37183bebad19b68c6985a615127888b29afadf17585/Inside-cover.jpg" data-mid="253051307" border="0"  src="https://freight.cargo.site/w/851/i/8277f15baf79f2e7733af37183bebad19b68c6985a615127888b29afadf17585/Inside-cover.jpg" /&#62;











All images are copyrighted © by Maria Kassab. 
The use of any image from this site is prohibited 
unless prior written permission from the artist
is obtained.</description>
		
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	<item>
		<title>News &#38; Updates</title>
				
		<link>https://mariakassab.com/News-Updates</link>

		<pubDate>Fri, 30 Oct 2026 10:34:15 +0000</pubDate>

		<dc:creator>Maria Kassab</dc:creator>

		<guid isPermaLink="true">https://mariakassab.com/News-Updates</guid>

		<description>    &#38;nbsp;News &#38;amp; Updates










LATEST FROM 
THE STUDIO
A space for quick fragments, field research, and direct updates on upcoming 
exhibitions, free from social media algorithms. 
Check back here 
for ongoing dispatches straight from the workspace.UPCOMING EXHIBITIONS
Solo Exhibition &#124; BERLIN 
August – November 2027

 
 
    </description>
		
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	<item>
		<title>Le Naufrage</title>
				
		<link>https://mariakassab.com/Le-Naufrage</link>

		<pubDate>Wed, 27 Jul 2022 11:57:26 +0000</pubDate>

		<dc:creator>Maria Kassab</dc:creator>

		<guid isPermaLink="true">https://mariakassab.com/Le-Naufrage</guid>

		<description>Le Naufrage, 2019











In Le Naufrage, a photographic collage examines displacement as an ongoing condition rather than a singular event. By bringing together images from family albums, domestic interiors, and present-day landscapes, the work constructs a fragmented visual narrative in which personal memory intersects with the persistence of political violence.


The work layers photographs of homes, rooms, objects, and familiar spaces with images of places transformed by conflict and its aftermath. Through juxtaposition, superimposition, and the recontextualization of photographic material, these images move between past and present, intimacy and estrangement, presence and absence. Domestic spaces emerge not simply as sites of belonging but as repositories of memory vulnerable to the forces that fracture the relationship between people and the places they inhabit. The compositions reveal their temporal complexity: the past remains embedded in the present, while the conditions that produced departure continue to unfold. By bringing archival family photographs into contact with contemporary images, Le Naufrage considers displacement not only as the loss of home but as an ongoing rupture in the transmission of memory, identity, and belonging.


Winner of the Audience Choice Award at the 33rd Salon d'Automne exhibition at the Sursock Museum, 2019.Exhibited at the 3rd Biennale of World Arab Contemporary Photography at l'Institut Du Monde Arabe, Paris, 2019.

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All images are copyrighted © by Maria Kassab. 
The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
</description>
		
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	<item>
		<title>Statues Of Emergency</title>
				
		<link>https://mariakassab.com/Statues-Of-Emergency</link>

		<pubDate>Wed, 21 Oct 2026 15:13:56 +0000</pubDate>

		<dc:creator>Maria Kassab</dc:creator>

		<guid isPermaLink="true">https://mariakassab.com/Statues-Of-Emergency</guid>

		<description>Statues of Emergency, 2025-PresentWork in progress
This body of work emerges from breaking apart and reassembling European porcelain figurines once associated with refinement, domesticity, and bourgeois taste. By fragmenting and recomposing these objects into surreal hybrid forms, the sculptures reveal the tensions beneath Europe’s appearance of unity, stability, and tradition. Positioned between ruin and possibility, they reflect on what survives the collapse of political systems, identities, and cultural symbols while engaging with ideas of historical rupture and transformation.Drawing on thinkers such as Walter Benjamin, the work frames destruction not as an end but as a condition for rethinking history and crisis. The sculptures embody fragility and contradiction, shaped by contemporary conditions including migration, austerity, and resurgent nationalisms. Their fractured yet unified surfaces, sometimes bound by a monochrome blue glaze, highlight the coexistence of coherence and rupture, echoing hauntology and provisional synthesis. Rather than offering resolution, the works invite the viewer to confront instability and interpret fragmented histories and uncertain futures.
&#38;nbsp;
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</description>
		
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	<item>
		<title>Index of Strangers 2026</title>
				
		<link>https://mariakassab.com/Index-of-Strangers-2026</link>

		<pubDate>Sun, 25 Oct 2026 17:24:07 +0000</pubDate>

		<dc:creator>Maria Kassab</dc:creator>

		<guid isPermaLink="true">https://mariakassab.com/Index-of-Strangers-2026</guid>

		<description>Index of Strangers, 2026&#38;nbsp;
Work in progress

This series began with a simple observation: we spend more time looking at faces on screens than in real life, watching them appear and disappear in an instant. These small, 7 x 7 cm acrylic paintings are not portraits of identifiable individuals, but rather reconstructions of faces that have been remembered, encountered, or imagined. Rather than documenting likeness, I am recreating the way we pay attention, allowing features to shift, proportions to intensify, and memories to alter what was seen. 

Building on John Berger’s idea that seeing is never neutral, this ongoing wall installation considers how the circulation of contemporary images reduces individuals to simplified representations. These paintings resist that reduction by treating the face as something unstable and irreducible, suspended between perception and invention. Over time, the act of painting has become ritualistic. Returning repeatedly to these canvases becomes a performative act of slowed, embodied attention, fiercely executed against the rapid speed at which digital images pass us by.



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