On Parallel Worlds, 2020
By meticulously isolating these original street writings from their chaotic public environments, the work recontextualizes them as sacred historical manuscripts. Superimposed onto a structural grammar of classical pillars and delicate, domestic lace tablecloths, these fleeting cries are given an intentional, elevated permanence. The pillars frame the words as enduring architectural load-bearers of history, while the lace introduces a tactile, fragile domestic intimacy evoking the private homes and upended lives behind the public rebellion. Stripped of their immediate context, these isolated graffiti fragments transcend mere protest art; they become the city’s testimonies, operating between parallel dimensions of immediate crisis and archived memory.